Computer Music Instruments

The book is suitable for advanced undergraduate and postgraduate students in music and signal processing, and for practitioners and researchers. This book is divided into three elements.

Computer Music Instruments

Author: Victor Lazzarini

Publisher: Springer

ISBN: 3319635042

Page: 361

View: 662

This book is divided into three elements. Part I provides a broad introduction to the foundations of computer music instruments, covering some key points in digital signal processing, with rigorous but approachable mathematics, and programming examples, as well as an overview of development environments for computer instruments. In Part II, the author presents synthesis and processing, with chapters on source-filter models, summation formulae, feedback and adaptive systems, granular methods, and frequency-domain techniques. In Part III he explains application development approaches, in particular communication protocols and user interfaces, and computer music platforms. All elements are fully illustrated with programming examples using Csound, Python, and Faust. The book is suitable for advanced undergraduate and postgraduate students in music and signal processing, and for practitioners and researchers.

Computer Music Instruments II

This book is divided into two parts.

Computer Music Instruments II

Author: Victor Lazzarini

Publisher: Springer

ISBN: 3030137120

Page: 374

View: 284

This book is divided into two parts. The chapters in Part I offer a comprehensive introduction to the C language and to fundamental programming concepts, followed by an explanation of realtime audio programming, including audio synthesis and processing. The chapters in Part II demonstrate how the object-oriented programming paradigm is useful in the modelling of computer music instruments, each chapter shows a set of instrument components that are paired with key C++ programming concepts. Ultimately the author discusses the development of a fully-fledged object-oriented library. Together with its companion volume, Computer Music Instruments: Foundations, Design and Development, this book provides a comprehensive treatment of computational instruments for sound and music. It is suitable for advanced undergraduate and postgraduate students in music and signal processing, and for practitioners and researchers. Some understanding of acoustics and electronic music would be helpful to understand some applications, but it's not strictly necessary to have prior knowledge of audio DSP or programming, while C / C++ programmers with no experience of audio may be able to start reading the chapters that deal with sound and music computing.

Inside Computer Music

On another level the computer facilitated the deployment of a new pitch scale and
even a newly defined “octave.” Digital ... As the name indicates, the orchestra file
contains “instruments,” and these can be built by the user from component unit ...

Inside Computer Music

Author: Michael Clarke

Publisher: Oxford University Press, USA

ISBN: 0190659645

Page: 432

View: 518

"This publication (the text and the software) aims to explore the relationship between new technical innovations in computer technology for music and the creative practice of composers employing these new techniques. It asks: does the new technology lead to new sounds and new ways of structuring music, and if so how? What are the creative options, sonic and structural, presented by new software and hardware? How can these be manipulated and shaped to form music? How have particular composers developed successful working methods in using this technology? To answer such questions a set of case studies have been examined in depth, specific works in which composers have adopted new techniques, whether developed by themselves or by others. Each of these works has been researched from a number of different perspectives: the technical and musical background, the technology employed in the particular work and, through music analysis, the musical outcome. Innovative approaches have been employed both in undertaking and presenting this research. On the one hand, it has been important to find appropriate ways of presenting the musical potential of what are often highly technical processes. On the other hand, it has been necessary to find ways of analyzing music that often evades even the most basic fundamentals of traditional music analysis: notes, harmonies, or instruments"--

Computer Music Modeling and Retrieval

Interactive computer music proposes a number of considerations about what the
audience experiences in relationship of what- is-going-on-on-stage and the
overall musical result. While a traditional music instrument is a compact tool and “
to ...

Computer Music Modeling and Retrieval

Author: Uffe K. Wiil

Publisher: Springer Science & Business Media

ISBN: 9783540209225

Page: 254

View: 173

This book constitutes the thoroughly refereed post-proceedings of the International Computer Music Modeling and Retrieval Symposium, CMMR 2003, held in Montpellier, France, in May 2003. The 20 revised full papers were carefully selected during two rounds of reviewing and improvement. Due to the interdisciplinary nature of the area, the papers address a broad variety of topics including information retrieval, programming, human-computer interaction, digital libraries, hypermedia, artificial intelligence, acoustics, signal processing, etc. The book comes with a CD-ROM presenting supplementary material for the papers included.

The Oxford Handbook of Computer Music

Computer Music Journal 26(4): 61–68. McLuhan, M. 1964. Understanding Media:
The Extensions of Man. Cambridge: MIT Press. Miranda, E. R., and M. Wanderley
. 2006. New Digital Musical Instruments: Control and Interaction beyond the ...

The Oxford Handbook of Computer Music

Author: Roger T. Dean

Publisher: Oxford University Press

ISBN: 0199887136

Page: 624

View: 632

The Oxford Handbook of Computer Music offers a state-of-the-art cross-section of the most field-defining topics and debates in computer music today. A unique contribution to the field, it situates computer music in the broad context of its creation and performance across the range of issues - from music cognition to pedagogy to sociocultural topics - that shape contemporary discourse in the field. Fifty years after musical tones were produced on a computer for the first time, developments in laptop computing have brought computer music within reach of all listeners and composers. Production and distribution of computer music have grown tremendously as a result, and the time is right for this survey of computer music in its cultural contexts. An impressive and international array of music creators and academics discuss computer music's history, present, and future with a wide perspective, including composition, improvisation, interactive performance, spatialization, sound synthesis, sonification, and modeling. Throughout, they merge practice with theory to offer a fascinating look into computer music's possibilities and enduring appeal.

Making Music with Java

The book is written for the musician who wishes to learn about Java programming and computer music concepts, and for the programmer who is interested in music and sound design with Java.

Making Music with Java

Author: Andrew Brown

Publisher: Lulu.com

ISBN: 1409281337

Page: 303

View: 608

Making Music with Java is an introduction to music making through software development in the Java programming language using the jMusic library. It explains musical and programming concepts in a coordinated way. The book is written for the musician who wishes to learn about Java programming and computer music concepts, and for the programmer who is interested in music and sound design with Java. It assumes little musical or programming experience and introduces topics and issues as they arise. Sections on computer music and programming are interlaced throughout, but kept separate enough so that those with experience in either area can skip ahead as required.

Computers and Music

7 MIDI instruments In many respects the requirements for electronic music
instruments are much the same , whether or not they will be used as part of a
computer music system . For most users the quality of the sounds will be of
foremost ...

Computers and Music

Author: R. A. Penfold

Publisher: PC Pub

ISBN:

Page: 174

View: 471

Elements of Computer Music

2 cmusic I wrote the cmusic program in 1980 as part of the basic computer music
software developed at the Computer ... The cmusic user specifies one or more
computer instruments , each of which is composed of arbitrarily interconnected ...

Elements of Computer Music

Author: F. Richard Moore

Publisher: Pearson

ISBN:

Page: 560

View: 918

This is a general introduction to the theory of computer music, giving details on sound, digital signal processing, math, and C programming. It assumes a strong knowledge of music.

Speech Music and Hearing

Traditionally , an acoustical instrument is used as an extension of the body . We
feel the importance of this tight relationship between musician and instrument
has traditionally been underestimated in the design of computer music controllers
.

Speech  Music and Hearing

Author:

Publisher:

ISBN:

Page:

View: 554

Computer Music from Buenos Aires and California

While the cost of a traditional music instrument of given quality roughly doubled
over the 1980 ' s ( like the cost of almost everything else ) , the cost of a computer
of given capability fell by a factor of almost 10 . Within the few years following its ...

Computer Music from Buenos Aires and California

Author:

Publisher:

ISBN:

Page: 47

View: 597

Electronic and Computer Music

... of conventional instruments , instruments such as the electronic organ , or
electronic reproduction of music . ... acoustics are included , but only where there
is direct reference to applications to electronic or computer music in the work
cited .

Electronic and Computer Music

Author: Peter Benjamin Bahler

Publisher:

ISBN:

Page: 256

View: 928