In association with The Lowry, which houses over 400 of Lowry’s works, this exceptional book portrays a selection of his paintings, sketches and other works, with subjects gleaned from urban landscapes teeming with his iconic ...
Author: Susan Grange
Publisher: Masterpieces of Art
Renowned for his paintings of the industrial towns of North West England, Lancashire born Lowry had a distinctive and enchanting style, depicting the everyday life of the world around him. This book portrays a selection of his paintings, sketches and other works, with subjects gleaned from urban landscapes teeming with his iconic .m.atchstick men. .to haunting unpopulated scenes. Often neglected by the elite of the art world his work has received much greater recognition in recent years.
September - October : retrospective exhibition at Graves Art Gallery , Sheffield
1963 1957 BBC film LS Lowry , The Artist , by ... By this point , Lowry had virtually
ceased to paint industrial landscapes , though an undisputed masterpiece such
Author: Andrew Lambirth
Publisher: Chaucer Press
L S Lowry is one of Britain's best-loved artists. In "LS Lowry: Conversation Pieces", gallery owner Andras Kalman tells of his long friendship with the man and his experiences as a dealer in Lowry's work. An Hungarian émigré, Kalman opened his first gallery in Manchester in 1949 - an establishment that soon attracted a visit from the great Mancunian artist. Lowry not only bought a work on display but immediately agreed that Kalman become a dealer in his work. The two men became firm friends and their relationship continued until Lowry's death. Now in his eighties, Kalman recalls Lowry in conversation with the writer and critic Andrew Lambirth, drawing a vivid picture of the private man. A sensitive, somewhat reclusive character, Lowry showed himself only to a handful of intimates, and Kalman gives a sympathetic account of his client and friend, drawing attention to the seldom-recognised breadth of his work. Illustrated by 80 paintings, Lowry's best-known works are displayed, along with lesser-known works of equal boldness and originality. A remarkable insight into the life and unique talent of a great British artist.
A FLAME TREE NOTEBOOK.
Author: Flame Tree Studio
Publisher: Flame Tree Gift
A FLAME TREE NOTEBOOK. Beautiful and luxurious the journals combine high-quality production with magnificent art. Perfect as a gift, and an essential personal choice for writers, notetakers, travellers, students, poets and diarists. Features a wide range of well-known and modern artists, with new artworks published throughout the year. BEAUTIFULLY DESIGNED. The highly crafted covers are printed on foil paper, embossed then foil stamped, complemented by the luxury binding and rose red end-papers. The covers are created by our artists and designers who spend many hours transforming original artwork into gorgeous 3d masterpieces that feel good in the hand, and look wonderful on a desk or table. PRACTICAL, EASY TO USE. Flame Tree Notebooks come with practical features too: a pocket at the back for scraps and receipts; two ribbon markers to help keep track of more than just a to-do list; robust ivory text paper, printed with lines; and when you need to collect other notes or scraps of paper the magnetic side flap keeps everything neat and tidy. THE ARTIST. In his many depictions of north-west England Lowry makes industrial scenes his own, showing how industry had affected the landscape and how the inhabitants of the urban areas lived out their daily lives. THE FINAL WORD. As William Morris said, Have nothing in your houses that you do not know to be useful, or believe to be beautiful.
“Museum Sues Broker for Accounting or Return of Deaccessioned Art,” Museum
of Northern Arizona press release, ... 1909), the museum privately sold its cubist
masterpiece by Picasso, Houses on the Hill, Horta de Ebro (1909)—which ... It
now resides in the Crystal Bridges Museum of Art. 2006a Bury Art Museum Bury
Metropolitan Borough Council in 2006 sold the painting A Riverbank, by L. S.
Author: Martin Gammon
Publisher: MIT Press
The first history of the deaccession of objects from museum collections that defends deaccession as an essential component of museum practice. Museums often stir controversy when they deaccession works—formally remove objects from permanent collections—with some critics accusing them of betraying civic virtue and the public trust. In fact, Martin Gammon argues in Deaccessioning and Its Discontents, deaccession has been an essential component of the museum experiment for centuries. Gammon offers the first critical history of deaccessioning by museums from the seventeenth to the twenty-first century, and exposes the hyperbolic extremes of “deaccession denial”—the assumption that deaccession is always wrong—and “deaccession apology”—when museums justify deaccession by finding some fault in the object—as symptoms of the same misunderstanding of the role of deaccessions in proper museum practice. He chronicles a series of deaccession events in Britain and the United States that range from the disastrous to the beneficial, and proposes a typology of principles to guide future deaccessions. Gammon describes the liquidation of the British Royal Collections after Charles I's execution—when masterworks were used as barter to pay the king's unpaid bills—as establishing a precedent for future deaccessions. He recounts, among other episodes, U.S. Civil War veterans who tried to reclaim their severed limbs from museum displays; the 1972 “Hoving affair,” when the Metropolitan Museum of Art sold a number of works to pay for a Velázquez portrait; and Brandeis University's decision (later reversed) to close its Rose Art Museum and sell its entire collection of contemporary art. An appendix provides the first extensive listing of notable deaccessions since the seventeenth century. Gammon ultimately argues that vibrant museums must evolve, embracing change, loss, and reinvention.