It then guides readers in the practice of saying this Office, including its invitatory (Ave Maria), antiphons, psalms, lessons, and prayers. The book works on several levels at once.
Author: Rachel Fulton Brown
Publisher: Columbia University Press
Would you like to learn to pray like a medieval Christian? In Mary and the Art of Prayer, Rachel Fulton Brown traces the history of the medieval practice of praising Mary through the complex of prayers known as the Hours of the Virgin. More than just a work of comprehensive historical scholarship, the book asks readers to immerse themselves in the experience of believing in and praying to Mary. Mary and the Art of Prayer crosses the boundaries that modern scholars typically place between observation and experience, between the world of provable facts and the world of imagination, suggesting what it would have been like for medieval Christians to encounter Mary in prayer. Mary and the Art of Prayer opens with a history of the devotion of the Hours or “Little Office” of the Virgin. It then guides readers in the practice of saying this Office, including its invitatory (Ave Maria), antiphons, psalms, lessons, and prayers. The book works on several levels at once. It provides a new methodology for thinking about devotion and prayer; a new appreciation of the scope of and audience for the Hours of the Virgin; a new understanding of how Mary functions theologically and devotionally; and a new reading of sources not previously taken into account. A courageous and moving work, it will transform our ideas of what scholarship is and what it can accomplish.
N. B. The beforesaid Charter granted by Philip and Mary, and thus confirmed and
exemplisied, is the only Charter the ... IT was this day ordered and agreed, at the
earnest suit and prayer of John Cawood and divers other said persons being ...
Author: Philip Luckombe
Publisher: Cambridge University Press
The technical information provided by this 1771 book was still valid and used until the middle of the twentieth century.
The priest who in the midfifteenth century conducted services for the Salisbury
fraternity of the Virgin Mary and St John the Baptist of the tailors read from a
bederoll which opens with this characteristic prayer: Worshipful masters and
Author: Gervase Rosser
Publisher: OUP Oxford
Guilds and fraternities, voluntary associations of men and women, proliferated in medieval Europe. The Art of Solidarity in the Middle Ages explores the motives and experiences of the many thousands of men and women who joined together in these family-like societies. Rarely confined to a single craft, the diversity of guild membership was of its essence. Setting the English evidence in a European context, this study is not an institutional history, but instead is concerned with the material and non-material aims of the brothers and sisters of the guilds. Gervase Rosser addresses the subject of medieval guilds in the context of contemporary debates surrounding the identity and fulfilment of the individual, and the problematic question of his or her relationship to a larger society. Unlike previous studies, The Art of Solidarity in the Middle Ages does not focus on the guilds as institutions but on the social and moral processes which were catalysed by participation. These bodies founded schools, built bridges, managed almshouses, governed small towns, shaped religious ritual, and commemorated the dead, perceiving that association with a fraternity would be a potential catalyst of personal change. Participants cultivated the formation of new friendships between individuals, predicated on the understanding that human fulfilment depended upon a mutually transformative engagement with others. The peasants, artisans, and professionals who joined the guilds sought to change both their society and themselves. The study sheds light on the conception and construction of society in the Middle Ages, and suggests further that this evidence has implications for how we see ourselves.
Prayers. Savonarola. and. the. Audience. of. Images. About 1498 Filippino Lippi
painted an altarpiece for the Valori ... The main panel of this triptych depicting the
crucified Christ between Mary and Saint Francis and was flanked by wings of ...
Publisher: Penn State Press
To whom should we ascribe the great flowering of the arts in Renaissance Italy? Artists like Botticelli and Michelangelo? Or wealthy, discerning patrons like Cosimo de' Medici? In recent years, scholars have attributed great importance to the role played by patrons, arguing that some should even be regarded as artists in their own right. This approach receives sharp challenge in Jill Burke's Changing Patrons, a book that draws heavily upon the author's discoveries in Florentine archives, tracing the many profound transformations in patrons' relations to the visual world of fifteenth-century Florence. Looking closely at two of the city's upwardly mobile families, Burke demonstrates that they approached the visual arts from within a grid of social, political, and religious concerns. Art for them often served as a mediator of social difference and a potent means of signifying status and identity. Changing Patrons combines visual analysis with history and anthropology to propose new interpretations of the art created by, among others, Botticelli, Filippino Lippi, and Raphael. Genuinely interdisciplinary, the book also casts light on broad issues of identity, power relations, and the visual arts in Florence, the cradle of the Renaissance.
Jewish Spirituality and Hebrew Prayer: Praying as Mary Prayed Some kids
collect baseball cards. Some Catholic kids in the old days ... One wonders if the
artist understood that Mary would be praying to herself! Too often Christians have
Author: Mary Christine Athans
Publisher: Orbis Books
Jesus was born and raised as a Jew in first-century Palestine. A great deal of theological study has focused on the Jewish cultural and religious context of his life and ministry. It is only natural that this attention should lead us to a new approach to his mother, Mary of Nazareth. In this book, Mary Christine Athans draws on historical research, the fruits of post-Vatican II Jewish-Christian dialogue, the insights of feminist theology, and contemporary spiritual reflection to rediscover the Jewish Mary - a woman of enormous courage, strength, and prayer.